History of Green Day

Green Day is an American punk rock trio formed in 1987.[1] The band has consisted of lead vocalist and guitarist Billie Joe Armstrong, bassist and backing vocalist Mike Dirnt, and drummer Tré Cool for the majority of its existence. The band is credited as one of the three main bands, along with The Offspring and Rancid, who put the punk revival into process.

Green Day was originally part of the punk scene at 924 Gilman Street in Berkeley, California. The band's early releases for independent record label Lookout! Records earned it a grassroots fanbase.[2] Nevertheless, its major label debut Dookie (1994) became a breakout success and eventually sold over 10 million copies in the U.S. and 15 million worldwide.[3] As a result, Green Day was widely credited, alongside fellow California punk bands The Offspring and Rancid, with reviving mainstream interest in and popularizing punk rock in the United States.[4][5] Green Day's three follow-up albums, Insomniac, Nimrod and Warning did not achieve the massive success of Dookie, but they were still successful, reaching double platinum, double platinum, and gold status respectively.[6] Green Day's 2004 rock opera American Idiot reignited the band's popularity with a younger generation, selling five million copies in the U.S.[7] The band's eighth studio album, 21st Century Breakdown, was released on May 15, 2009.

Green Day has sold over 65 million records worldwide and 24.5 million in the US alone.[8][9] They have won four Grammy Awards; Best Alternative Album for Dookie, Best Rock Album for American Idiot, Record of the Year for "Boulevard of Broken Dreams", and Best Rock Album for the second time for 21st Century Breakdown.

****

Background information

Origin East Bay, California, United States

Genres Alternative rock

Pop punk

Punk rock

Years active 1987–present

Labels Lookout!, Skene!, Reprise, Adeline

Associated acts The Lookouts, Pinhead Gunpowder, The Frustrators, The Network, Foxboro Hot Tubs

Website greenday.com

Members

Billie Joe Armstrong

Mike Dirnt

Tré Cool

Former members

John Kiffmeyer

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Band history

Formation and Lookout years: 1987–1993

In 1987, friends Billie Joe Armstrong and Mike Dirnt, 15 years old at the time, formed a band called Sweet Children. The first Sweet Children show took place on October 17, 1987, at Rod's Hickory Pit in Vallejo, California where Armstrong's mother was working.[1] In 1988, Armstrong and Dirnt began working with former Isocracy drummer, John Kiffmeyer (also known as Al Sobrante)and Sean Hughes. Kiffmeyer served as both the band's drummer and business manager, handling the booking of shows and helping the band establish a fan base, and Sean Hughes served as the band's bass guitar player.[10] As said in the film Punk's Not Dead, Armstrong cites the band Operation Ivy (which features Tim Armstrong and Matt Freeman of Rancid) as a major influence, and a band that drove Armstrong to form a band.

After Hughes left the band in 1989,Larry Livermore, owner of Lookout! Records, saw the band play an early show and signed them to his label. In 1989 they recorded their first EP, 1,000 Hours. Before 1,000 Hours was released, the band dropped the name Sweet Children, according to Livermore this was done to avoid confusion with another local band Sweet Baby.[11] The band adopted the name Green Day, allegedly due to their fondness of marijuana.[12]

Lookout! would release Green Day's first LP, 39/Smooth in early 1990. Green Day would record two EPs later that year: Slappy and Sweet Children, the latter of which included some older songs they had recorded for Minneapolis indie label Skene! Records. In 1991, Lookout! Records released 1,039/Smoothed Out Slappy Hours, a compilation of the 39/Smooth, Slappy, and 1,000 Hours EPs. In late 1990, shortly after the band's first nationwide tour, Sobrante left the East Bay area to attend college.[10] The Lookouts drummer Tré Cool began filling in as a temporary replacement, and when it became clear that Sobrante did not plan to commit to the band full time, Tré Cool's position as Green Day's drummer became permanent. The band went on tour for most of 1992 and 1993, and played a stretch of shows overseas in Europe. The band's second full length album Kerplunk sold about 50,000 copies in the U.S.[13]

Breakthrough success: 1994–1996

Kerplunk's underground success led to a wave of interest coming from major record labels, and they eventually left Lookout! on friendly terms and signed with Reprise Records after attracting the attention of producer Rob Cavallo. Signing to Reprise caused many punk rock fans to regard Green Day as sellouts.[2] Reflecting on the period, Armstrong told Spin magazine in 1999, "I couldn't go back to the punk scene, whether we were the biggest success in the world or the biggest failure ... The only thing I could do was get on my bike and go forward."[14] After signing with Reprise, the band went to work on recording its major label debut, Dookie.

Released in February 1994, and recorded in 3 weeks,[15] Dookie became a commercial success, helped by extensive MTV airplay for the videos of the songs "Longview", "Basket Case", and "When I Come Around", all of which reached the number one position on the Modern Rock Tracks charts. That year, Green Day embarked on a nationwide tour with queercore band Pansy Division as its opening act. At a September 9, 1994 concert at Boston Esplanade, mayhem broke-out during the band's set (cut short to seven songs) and by the end of the rampage, 100 people were injured and 45 arrested.[16] The band also joined the lineups of both the Lollapalooza festival and Woodstock 1994, where they started an infamous mud fight. During the concert, a security guard mistook bassist Mike Dirnt for a stage-invading fan and punched out some of his teeth. Viewed by millions by pay-per-view television, the Woodstock 1994 performance further aided Green Day's growing publicity and recognition,[17] and helped push its album to eventual diamond status. In 1995, Dookie won the Grammy Award for Best Alternative Album and the band was nominated for 9 MTV Video Music Awards including Video of the Year.[18]

In 1995, a new single for the Angus soundtrack was released, titled "J.A.R.". The single went straight to number one on the Billboard Modern Rock Tracks chart. The song was followed by the band's new album, Insomniac, which was released in the fall of 1995. Insomniac was a much darker and heavier response by the band, compared to the poppier, more melodic Dookie.[17] Insomniac opened to a warm critical reception, earning 4 out of 5 stars from Rolling Stone, which said "In punk, the good stuff actually unfolds and gains meaning as you listen without sacrificing any of its electric, haywire immediacy. And Green Day are as good as this stuff gets."[19] Insomniac used a piece of art by Winston Smith entitled God Told Me to Skin You Alive for its album cover. The singles released from Insomniac were "Geek Stink Breath", "Brain Stew/Jaded", "Walking Contradiction", and "Stuck with Me". Though the album did not approach the success of Dookie, it still sold two million copies in the United States.[20] Insomniac won the band award nominations for Favorite Artist, Favorite Hard Rock Artist, and Favorite Alternative Artist at the 1996 American Music Awards, and the video for "Walking Contradiction" got the band a Grammy nomination for Best Video, Short Form, in addition to a Best Special Effects nomination at the MTV Video Music Awards.[21] After that, the band abruptly cancelled a European tour, citing exhaustion.[22]

Middle era and fall in popularity: 1997–2002

After taking a break in 1996, Green Day began to work on a new album in 1997. From the outset, both the band and Cavallo agreed that the album had to be different from its previous records.[23] The result was Nimrod, an experimental deviation from the band's standard pop-punk brand of music. The new album was released in October 1997. It provided a variety of music, from pop-punk, surf rock, and ska, to an acoustic ballad. Nimrod entered the charts at number 10. The success of "Good Riddance (Time of Your Life)" won the band an MTV Video Award for Best Alternative Video for the song's video, which depicted people undergoing major changes in their lives while Billie Joe Armstrong strummed his acoustic guitar.[24] The song was also used in the second "clip show" episode of Seinfeld and on two episodes of ER. The other singles released from Nimrod were "Nice Guys Finish Last", "Hitchin' a Ride" and "Redundant". The band made a guest appearance in an episode of King of the Hill entitled "The Man Who Shot Cane Skretteberg", which aired in 1997. In late 1997 and most of 1998, Green Day went on a tour to support their new album.

In 2000, Green Day released Warning, a step further in the style that they had hinted at with Nimrod. In support of the new album, they participated in the warped tour in 2000. They also had an independent tour to support the album in 2001. Critics' reviews of the album were varied.[25] Allmusic gave it 4.5/5 saying "Warning may not be an innovative record per se, but it's tremendously satisfying."[26] Rolling Stone was more critical, giving it 3/5, and saying "Warning... invites the question: Who wants to listen to songs of faith, hope and social commentary from what used to be snot-core's biggest-selling band?"[27] Though it produced the hit "Minority" and a smaller hit with "Warning", some observers were coming to the conclusion that the band was losing relevance,[25] and a decline in popularity followed. While all of Green Day's past albums had reached a status of at least double platinum, Warning was only certified gold.

At the 2001 California Music Awards, Green Day won all eight awards that they were nominated for. They won the awards for Outstanding Album (Warning), Outstanding Punk Rock/Ska Album (Warning), Outstanding Group, Outstanding Male Vocalist, Outstanding Bassist, Outstanding Drummer, Outstanding Songwriter and Outstanding Artist.[28]

The release of a Greatest Hits compilation, International Superhits!, and an assemblage of B-sides, Shenanigans, followed Warning. International Superhits and its companion collection of music videos, International Supervideos!, sold reasonably well, going platinum in the U.S. Shenanigans contained some of the band's B-sides, including "Espionage" which was featured in Austin Powers: The Spy Who Shagged Me and was nominated for a Grammy for Best Rock Instrumental Performance.

In the spring of 2002, Green Day co-headlined the Pop Disaster Tour with Blink-182. Despite the co-headlining title, Green Day would play each show before Blink-182, who at the time were experiencing more success. The tour was documented on the DVD Riding in Vans with Boys.

American Idiot and renewed success: 2003–2006

In the summer of 2003 the band went into a studio to write and record new material for a new album, tentatively titled Cigarettes and Valentines.[29] After completing 20 tracks, the master tapes were stolen from the studio. It was then revealed that a band called The Network was signed to Armstrong's Adeline Records with little fanfare and information. After the mysterious band released an album called Money Money 2020, it was rumored that The Network was a Green Day side project, and that Money Money 2020 was really Cigarettes and Valentines. However, Billie Joe denied the rumors, but The Network still appears in Green Day box sets and is mentioned in Green Day interviews.

Green Day collaborated with Iggy Pop on two tracks for his album Skull Ring in late 2003. On February 1, 2004 a new song, a cover of "I Fought the Law" made its debut on a commercial for iTunes during NFL Super Bowl XXXVIII. The band underwent serious "band therapy," engaging in several long talks to work out the members' differences after accusations from Dirnt and Cool that Armstrong was "the band's Nazi"[30] and a show-off bent on taking the limelight from the other band members.

The resulting 2004 album, American Idiot, debuted at number one on the Billboard charts, the band's first ever album to top the chart, backed by the success of the album's first single, "American Idiot." The album was billed as a "punk rock opera" which follows the journey of the fictitious "Jesus of Suburbia".[31] American Idiot won the 2005 Grammy for "Best Rock Album" and the band swept the 2005 MTV music awards, winning a total of seven of the eight awards they were nominated for, including the coveted Viewer's Choice Award.[32]

Through 2005, the band toured in support of the album with about 150 dates — the longest tour in its career — visiting Japan, Australia, South America and the United Kingdom, where they drew a crowd of 130,000 people over a span of two days. While touring for American Idiot, they filmed and recorded the two concerts at the Milton Keynes National Bowl in England, which was voted 'The Best Show On Earth' in a Kerrang! Magazine Poll.

These recordings were released as a live CD and DVD called Bullet in a Bible on November 15, 2005. This CD/DVD featured hits from American Idiot as well as a few songs from all its previous albums, except "Kerplunk" and "1,039/Smoothed Out Slappy Hours". The DVD featured behind-the-scenes footage of the band, and showed how the band prepared to put on the show. The final shows of its 2005 world tour were in Sydney, Australia, and Melbourne, Australia, on December 14 and 17 respectively. On January 10, 2006 the band was awarded with a People's Choice Award for favorite group.

On August 1, 2005, Green Day announced that that it had rescinded the master rights to its pre-Dookie material from Lookout! Records, citing a continuing breach of contract regarding unpaid royalties, a complaint shared with other Lookout! bands.[33] The pre-Dookie material, which remained out of print for about a year, was reissued by the band's current label, Reprise, on January 9, 2007.[34]

In 2006, Green Day won the Grammy Award for Record of the Year for "Boulevard of Broken Dreams"[35] which spent 16 weeks at the number one position of Billboard's Modern Rock Tracks, a record it shared along with Red Hot Chili Peppers' "Scar Tissue" and Staind's "It's Been Awhile", (the record has been since been beaten by Foo Fighters' 2007 hit "The Pretender" which reigned at the top spot for 18 weeks).

Brandon Flowers of The Killers went on record in 2007 claiming that Green Day's politically driven concept album American Idiot displays "calculated Anti-Americanism." He explained that he has problems with the album content itself and the fact that the band's live DVD, Bullet in a Bible, was filmed in England. The taping of the concert, featured on Bullet in a Bible, shows thousands of Europeans singing along to "American Idiot." Stating that he felt Green Day's DVD is a bit of a stunt, he said, "I just thought it was really cheap. To go to a place like England or Germany and sing that song - those kids aren't taking it the same way that he meant it. And he (Billie Joe Armstrong) knew it."[36]

21st Century Breakdown and American Idiot: The Musical: 2007–present

Green Day engaged in several other smaller projects in the time following the hype of American Idiot. Green Day released a new album under the band name Foxboro Hot Tubs entitled Stop Drop and Roll!!!. In 2008, the Foxboro Hot Tubs went on a mini-tour to promote the record, hitting tiny Bay Area venues including the Stork Club in Oakland and Toot’s Tavern in Crockett, CA. One song, “Ruby Room,” even gives a shout-out to the Oakland dive bar where “the Pabst Blue Ribbon unravels.”[37]

In an interview with Kerrang!, Armstrong revealed that 2008 would "be a fair estimate of the release date of their new untitled eighth studio album for Green Day."[38] In an interview with Carson Daly, Garbage lead singer Shirley Manson revealed that Butch Vig would be producing Green Day's forthcoming album.[39] The span of nearly five years between American Idiot and 21st Century Breakdown was the longest gap between studio albums in Green Day's career. The band had been working on new material since January 2006. By October 2007, Armstrong had 45 songs written, but the band showed no further signs of progress until October 2008, when a video of the group recording with producer Butch Vig in the studio was posted on YouTube. Two videos showing the band in the studio were posted on YouTube.[40][41] In the tour section of the band's official website, the message "World Tour coming soon!" is shown.[42][43] The writing and recording process, spanning three years and four recording studios, was finally finished in April 2009.[44]

The new album, titled 21st Century Breakdown, was released on May 15, 2009.[45] The album had mainly positive reception from critics, getting an average rating between 4 and 5 stars. After the release, the album hit #1 in fourteen different countries, hitting Gold or Platinum in each. 21st Century Breakdown achieved Green Day's best chart performance to date. The band started playing shows in California in April and early May. It was their first live show in about 3 years. Green Day is currently on a world tour that started in North America in July, 2009 and continuing around the world throughout the rest of 2009 and early 2010.[46]

In 2009 the band met with award winning director Michael Mayor and many cast and crew members of the Tony Award winning musical Spring Awakening to create a stage version of the album American Idiot. American Idiot: The Musical opened in the Berkeley Repertory Theatre during the end of 2009. The show features an expanded story of the original album, with new characters such as Will, Tunny, Extraordinary Girl, and Favorite Son. On April 20, 2010, American Idiot: The Musical opened on broadway, and Green Day released the soundtrack to the musical, featuring a new song by Green Day entitled "When It's Time". In June 2010 the UK iTunes Store received the single "When It's Time".[47]

During the Spike TV Video Game Awards 2009, it was announced that Green Day was set to get their own Rock Band video game, as a follow up to the last band specific Rock Band game, The Beatles: Rock Band. The game was released June 8, 2010. The game features the full albums of American Idiot, 21st Century Breakdown, and Dookie as well as select songs from the rest of Green Day's catalog.

During the 2010 Tony Awards' opening, the cast of American Idiot: The Musical performed a short version of Boulevard of Broken Dreams and then introduced Green Day. The band then took the stage and performed Holiday and Know Your Enemy. Later in the show, the cast would perform American Idiot after being introduced by Billie Joe. [48]

Green Day plan on having a follow-up album within the next couple years, but no specific dates have been stated. They have said that they are writing new material.[49] In an interview with Kerrang! magazine, Armstrong spoke about the possible new album: “We did some demos in Berlin, some in Stockholm, some just outside of Glasgow and some in Amsterdam. We wanted get [the songs] down in some early form."[50]

Musical style and influences

Green Day's sound is often compared to first wave punk bands such as the Ramones, The Clash, Sex Pistols, Stiff Little Fingers, The Jam, and the Buzzcocks.[22][51] The majority of their song catalog is composed of overdriven guitar, fast, manic drums, and relatively high-treble bass. Most of their songs are fast-paced and under four minutes. Billie Joe Armstrong has mentioned that some of his biggest influences are seminal alternative rock bands Hüsker Dü and The Replacements, and that their influence is particularly noted in the band's chord changes in songs.[22] In fact, Green Day has covered Hüsker Dü's "Don't Want to Know If You Are Lonely" as a B-side for the "Warning" single, and the character "Mr. Whirly" in their song "Misery" is a reference to the Replacements song of the same name.[52] Among other influences, Green Day have also cited Queen,[53] proto-punks The Who, and power pop pioneers Cheap Trick.[54] Armstrong's lyrics commonly describe alienation, ("Jesus of Suburbia", "Boulevard of Broken Dreams", "Road to Acceptance", "Disappearing Boy", "Castaway") hysteria ("Basket Case", "Panic Song", "American Eulogy"), girls ("She", "80" "Only of You","Maria" "She's a Rebel"), growing up ("Longview" and "Welcome to Paradise"), and the effects of doing drugs ("Geek Stink Breath", "Green Day", "Give Me Novacaine"). The Ramones had similar lyrical themes such as hysteria ("Anxiety", "Psycho Therapy"), alienation ("Outsider", "Something To Believe In"), girls ("I Wanna Be Your Boyfriend", "Sheena Is a Punk Rocker"), and drugs ("Now I Wanna Sniff Some Glue", "Chinese Rocks"). Green Day has covered Ramones songs several times, including recording "Outsider" for the tribute album We're a Happy Family, and performing "Blitzkrieg Bop" and "Teenage Lobotomy" when the Ramones were inducted into the Rock and Roll Hall of Fame in 2002.

In reaction to both the style of music and the background of the band, John Lydon, former front man of the 1970s punk band the Sex Pistols commented:

So there we are fending off all that and it pisses me off that years later a wank outfit like Green Day hop in and nick all that and attach it to themselves. They didn't earn their wings to do that and if they were true punk they wouldn't look anything like they do.[55]

In another interview, Lydon stated that:

Look, I'm sorry, they're a bit fake for me. They change their image. Fake mockneys. The London twang and vocal is a little out of place. Enjoy your own culture and stick with what you know.[56]

English rock musician Noel Gallagher of Oasis also complained about the band semi-jokingly, claiming that they ripped off his song "Wonderwall" with their song "Boulevard of Broken Dreams".[57] Mashup DJs Party Ben and team9 would later release a mashup of the two songs called "Boulevard of Broken Songs" under the spoonerism Dean Gray.

Cool mentioned in a July 2009 interview that while Armstrong is the primary songwriter, he looks to the other band members for organizational help.[58]

Related projects

Main article: Green Day related projects

Ever since 1991, some members of the band have branched out past Green Day and have started other projects with other musicians. Notable related projects of Green Day include Billie Joe Armstrong's Pinhead Gunpowder (which also features Green Day's live backup guitarist Jason White), The Frustrators in which Mike Dirnt plays bass, and The Network, in which all three members of Green Day play under fake stage names.[59] Billie Joe Armstrong has also confirmed that the main members of Green Day are in the band Foxboro Hot Tubs. A Foxboro Hot Tubs album titled Stop Drop and Roll!!! was released on May 20, 2008.[60]

In September 2006, Green Day teamed up with U2 and producer Rick Rubin to record a cover of the song "The Saints Are Coming", originally recorded by The Skids, with an accompanying video. The song is to benefit Music Rising, an organization to help raise money for musicians' instruments lost during Hurricane Katrina, and to bring awareness on the eve of the one year anniversary of the disaster.[61]

In December 2006, Green Day and NRDC opened a web site in partnership to raise awareness on America's dependency on oil.[62][63]

Green Day released a cover of the John Lennon song "Working Class Hero", that was featured on the album Instant Karma: The Amnesty International Campaign to Save Darfur. The band performed the song on the season finale of American Idol. The song was nominated for a Grammy in 2008, but lost to The White Stripes' "Icky Thump".

That summer, the band appeared in a cameo role in The Simpsons Movie, where they perform the show's theme song. Their version was released as a single on July 24, 2007.

In 2009, the band collaborated with theatre director Michael Mayer to adapt their rock opera American Idiot into a one-act stage musical that premiered at the Berkeley Rep on September 15, 2009.[64]

The show then moved to Broadway on April 20, 2010. The reviews have been positive to mixed. Charles Isherwood of The New York Times wrote an enthusiastic review for the Broadway production. He called the show "a pulsating portrait of wasted youth that invokes all the standard genre conventions ... only to transcend them through the power of its music and the artistry of its execution, the show is as invigorating and ultimately as moving as anything I’ve seen on Broadway this season. Or maybe for a few seasons past." Jed Gottleib of the Boston Herald enjoyed the premise of the show but found that "the music and message suffer in a setting where the audience is politely, soberly seated".[65] Michael Kuchiwara of the Associated Press found the show to be "visually striking [and] musically adventurous", but noted that "the show has the barest wisp of a story and minimal character development".[66] Paul Kolnik in USA Today enjoyed the contradiction that Green Day's "massively popular, starkly disenchanted album ... would be the feel-good musical of the season".[67] Time magazine's Richard Zoglin opined that the score "is as pure a specimen of contemporary punk rock as Broadway has yet encountered [yet] there's enough variety. ... Where the show fall short is as a fully developed narrative." He concluded that "American Idiot, despite its earnest huffing and puffing, remains little more than an annotated rock concert. ... Still, [it] deserves at least two cheers – for its irresistible musical energy and for opening fresh vistas for that odd couple, rock and Broadway."[68] Peter Travers from Rolling Stone, in his review of American Idiot, wrote "Though American Idiot carries echoes of such rock musicals as Tommy, Hair, Rent and Spring Awakening, it cuts its own path to the heart. You won’t know what hit you. American Idiot knows no limits — it's a global knockout."[69]

The musical has been nominated for several Tony Awards, including Best Musical and Best Scenic Design. It was also nominated for a number of Drama Desk Awards and Outer Critics Circle Awards.

In October, a Green Day art project was exhibited at StolenSpace Gallery in London. The exhibition showed artworks created for each of the songs on 21st Century Breakdown, was supported by the band, and led by their manager Pat Magnarella.[70] He explained in an interview that "[Artists are] basically like rock bands. Most are creating their art, but don't know how to promote it."[71] For Billie Joe Armstrong, "Many of the artists... show their work on the street, and we feel a strong connection to that type of creative expression.” [72]

Band members

Current members

Billie Joe Armstrong – lead vocals, guitars (1987–present)

Mike Dirnt – bass, backing vocals (1987–present)

Tré Cool – drums, percussion (1990–present)

Former members

John Kiffmeyer – drums, percussion (1987–1990)

Sean Hughes - Bass Guitar, Backing Vocals (1987-1989)

Current touring members

Jason White – backup live guitar, backing vocals (1999–present)

Jason Freese – keyboards, [[piano], trombone, saxophone, accordion, backing vocals (2003–present)

Jeff Matika – backup live rhythm (sometimes acoustic) guitar, backing vocals (2009–present)

Former touring members

Timmy Chunks – rhythm guitar (1997–1999)

Garth Schultz – trombone, trumpet (1997–1999)

Gabrial McNair – trombone, tenor saxophone (1999–2001)

Kurt Lohmiller – trumpet, timpani, percussion, backing vocals (1999–2004)

Mike Pelino – rhythm guitar, backing vocals (2004–2005)

Ronnie Blake – trumpet, timpani, percussion, backing vocals (2004–2005)

Discography

Main article: Green Day discography

39/Smooth (1990)

Kerplunk (1992)

Dookie (1994)

Insomniac (1995)

Nimrod (1997)

Warning (2000)

American Idiot (2004)

21st Century Breakdown (2009)

Awards

Main article: List of awards and nominations received by Green Day

References

Cohen, Johnathan (2004). "Green Day's 'Idiot' Fueling Banner Year" (http). Billboard.com. http://www.billboard.com/bb/daily/article_display.jsp?vnu_content_id=1000732979. Retrieved July 27, 2005. [dead link]

Cohen, Johnathan (2005). "Green Day not ready to rest 'Idiot'" (http). Billboard.com. http://www.billboard.com/bb/search/article_display.jsp?vnu_content_id=1000991882. Retrieved July 27, 2005. [dead link]

Spitz, Marc. Nobody Likes You: Inside the Turbulent Life, Times, and Music of Green Day. New York: Hyperion, 2006. ISBN 1-4013-0274-2

The Green Day Story (Broadcast on Radio 1 Mon June 20, 2005) (Alternate Link)

Notes

1. ^ a b "Rock 'n' Ribs Beginnings | San Francisco online". Retrieved 2009-11-28.
2. ^ a b Guitar Legends. "What Happened Next...." Retrieved on August 20, 2007
3. ^ Myers, Ben. "Green Day: American Idiot and the New Punk Explosion" April, 2006.
4. ^ DeRogatis, Jim. Milk It!: Collected Musings on the Alternative Music Explosion of the 90's. Cambridge: Da Capo, 2003. Pg. 357, ISBN 0-306-81271-1
5. ^ D'Angelo, Joe (2004). "How Green Day's Dookie Fertilized A Punk-Rock Revival". MTV.com. http://www.mtv.com/news/articles/1491001/20040915/story.jhtml. Retrieved July 26, 2006. 
6. ^ Rock On The Net: Green Day
7. ^ "Green Day Timeline". Rock on the Net. http://www.rockonthenet.com/artists-g/greenday_main.htm. Retrieved 2007-05-04. 
8. ^ Records sold worldwide. Retrieved 2010-06-10.
9. ^ US album sales
10. ^ a b www.greenday.net/hitlistinterviewbj.html Hit List Interview - Billie Joe Armstrong, July 18, 2001
11. ^ "Interview with Lawrence Livermore: An inside look at Green Day's early years". www.greenday.net//livermore.htm. 
12. ^ - Music and Concerts: Green Day<!
13. ^ Thompson, Dave. "Green Day." Alternative Rock. San Francisco: Miller Freeman Books, 2000.
14. ^ Smith, RJ. "Top 90 Albums of the 90's." SPIN. August 1999.
15. ^ Biography Channel - Green Day
16. ^ Fricke, David (1999-12-16), "Our Back Pages". Rolling Stone (828/829):85
17. ^ a b "Green Day". Behind the Music. Vh1, 2000.
18. ^ Green Day Authority. "Band Awards - Dookie" "Green Day Authority."
19. ^ Coleman, Mark. "Insomniac." Rolling Stone. November 1995.
20. ^ RIAA
21. ^ Green Day Authority. Band Awards - Insomniac "Green Day Authority."
22. ^ a b c Di Perna, Alan. "Young, Loud, and Snotty." Guitar World. August 1996.[dead link]
23. ^ Spitz, Marc. Nobody Likes You. New York: Hyperion, 2006. Pg. 128.
24. ^ Green Day Authority. Band Awards - nimrod. "Green Day Authority."
25. ^ a b Green Day: Warning (2000): Reviews
26. ^ "Warning". Allmusic. http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:88q5g44ptv5z~T1. Retrieved 2009-07-10. 
27. ^ Warning review, Rolling Stone
28. ^ Green Day Authority. "Band Awards - Warning" "Green Day Authority".
29. ^ Spitz, pg. 152.
30. ^ Hendrickson, Matt (2005). "Green Day — How the brats grew up, bashed Bush and conquered the world". Rolling Stone. http://www.rollingstone.com/news/story/_/id/6959133/greenday?pageid=rs.News&pageregion=single2&rnd=1108277555953&has-player=true&version=6.0.12.872. Retrieved November 24, 2005. 
31. ^ Di Perna, Alan. "Combat Rock." Guitar World. Holiday 2004.
32. ^ Green Day Authority. "Band Awards - American Idiot" "Green Day Authority."
33. ^ Punknews.org| Lookout! downsizes, scales back plans for the future
34. ^ Reissue Article on greendayauthority.com
35. ^ "Green Day's Grammy Awards" Grammy.com.
36. ^ Rolling Stone Magazine Issue 1014 November 30 - Q&A Brandon Flowers, by Austin Scaggs pg 36
37. ^ Crooks, Peter. "Greenday 2.0" Diablo Magazine, July 2008.
38. ^ www.greendayauthority.com/magazines/kerrang/122006.jpg
39. ^ James Montgomery (2008-10-14). "Green Day Are In The Studio With Butch Vig For New Album, Online Video Confirms". MTV News. http://www.mtv.com./news/articles/1596973/20081014/green_day.jhtml. 
40. ^ Jonathan Cohen (2008-10-14). "Green Day in studio with Nirvana producer". Reuters. http://ca.reuters.com./article/entertainmentNews/idCATRE49E04920081015. 
41. ^ "Green Day recording at studio Oct 9". GreenDayStuff. 2008-10-21. http://www.youtube.com/watch?v=3yGoEG1Jn5s. Retrieved 2008-10-09. 
42. ^ http://www.greenday.com/site/tour_black.php
43. ^ www.greendayauthority.com
44. ^ "Green Day Reflects On '21st Century Breakdown'". Gantdaily.com. April 27, 2009. http://www.gantdaily.com/news/12/ARTICLE/49905/2009-04-27.html. Retrieved 2009-05-31. 
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